Paul Miller is a music theorist and a performer specializing in music of the 17th, 18th and 20th centuries. Before joining the musicianship department of the Mary Pappert School of Music at Duquesne University in 2015, he served as a Mellon Postdoctoral Fellow at Cornell University and on the faculties of the University of Colorado in Boulder and Temple University.

Paul has presented research at numerous national and regional conferences, and his work has been published in Perspectives of New Music, the American Music Research Center Journal, Twentieth-Century Music, Music and Letters and Opera Quarterly. Forthcoming research will be published in Early Music and the MLA Association’s Notes. An expert on the remarkable music of Karlheinz Stockhausen, Paul studied with the composer for six summers and premiered his solo viola work "In Freundschaft" in Europe and the United States. Paul's research has centered on the unusual spatial dimension of Stockhausen's music as well as the phenomenon of metric complexity. In addition, he has published work on viola d’amore music in Bohemian and Moravian manuscripts.

As a performer, Paul has appeared at the Metropolitian Museum of Art in New York City, the Library of Congress, the National Cathedral in Washington D.C., the Darmstadt International Festival for New Music, the Bethlehem Bach Festival, the Hawai`i Performing Arts Festival and with ensembles such as El Mundo and Tempesta di Mare. He has collaborated in chamber music concerts with Richard Savino and Jory Vinikour, both Grammy® award nominees. During his tenure as a fellow at Cornell, Paul led the Baroque Orchestra there and studied with Neal Zaslaw, Christopher Hogwood and Malcolm Bilson. Paul also performs on a five-string electric violin built by the firm Zeta.

As a pedagogue with over 17 years of classroom experience, Paul enjoys teaching everything from fundamental skills such as solfege, voice-leading, counterpoint and harmony to more advanced topics such as Schenkerian analysis and post-tonal theory. His students hold full-time and tenured positions at James Madison University, the Pittsburgh Symphony, the San Francisco Conservatory and other top-tier institutions throughout the country. He holds a Ph.D. from the Eastman School of Music and a Master's in viola performance (Eastman). Paul's undergraduate studies were at Vassar College, New England Conservatory and Harvard University.

Most recent CV -- paul-miller-cv-2017.pdf

Bach Suites Project -- Bach

Viola d'amore
J. S. Bach -- Sarabande from the second suite for unaccompanied violoncello, BWV 1008
J. S. Bach -- Gigue from the second suite for unaccompanied violoncello, BWV 1008

Baroque violin
I play both parts on the following recordings. I layered and edited the parts in Logic.
Leclair -- Duo for two violins in E Major, op. 12 -- 1st movement
Leclair -- Duo for two violins in E Major, op. 12 -- 2st movement
Leclair -- Duo for two violins in E Major, op. 12 -- 3st movement
Leclair -- Duo for two violins in E Major, op. 12 -- 4st movement

Electric violin
This is the direct signal of the electric violin -- no microphone.
Jean-Luc Ponty: Pizzy Cat

Full citations on their way.

Bohemian viola d'amore music -- Forthcoming

Stockhausen in Basel -- abstract

Furchtlos weiter

Photos by Michael Will, Pittsburgh PA.

To provide plenty of context, I've included the full review in each of these PDF files.

Bethlehem Bach Festival, 2017
Boulder Bach Festival, 2014
Vivaldi Concerto, 2013
Vivaldi Concerto, 2012

copyright © 2012-2017 by Paul Miller. Last updated on 17 August 2017.